That magical music that is the hallmark of this classic album is
by the great Percy Faith and his Orchestra. This is a man who was a prodigy
as a classical pianist who wrote his own songs, but his hands were destroyed
by a fire, after which he concentrated on the composing and arranging part
of his career. He was musical director of the popular music division at Columbia
Records (imagine even having such a division nowadays!), but he recorded for
RCA Victor and Decca before that. He's best known for the movie score to
the 1960 movie "A Summer Place". He's no longer alive, having died in 1976. Who Nelson Riddle was, and what a phenomenal talent he was, is
best described, I think, by his son Christopher, who pays tribute to his
father
with a site of his own.
B. 1914 in Michigan. Orchestra leader and composer. Lead Paul Whiteman's
Goodyear Revue. Composed songs with Bob Thiele on the Bob Thiele Trio recording
Lion-Hearted Later on, Musical Consultant to Andrew Lloyd Webber's Cats.
Osser's "Beguine for Band" is a very popular piece for both professional
and university orchestras; in 1994 it was performed by the Dallas Symphony
Orchestra Gil Evans (d.1988) Teo Macero was a jazz producer at Columbia records from 1957
until the late 1980's. He played tenor and baritone saxophone, and he produced
some of Miles Davis' records. He has some records of his own on Stash records. Jerry Fuller
produced several singles by Paul Revere & the Raiders and also Gary
Puckett and the Union Gap. All four albums he produced for Johnny Mathis
made the Top 40, and besides the Thom Bell/Johnny Bristol recordings, I consider
them four of the best albums Mathis ever recorded. Four Mathis singles produced
by Fuller achieved success; Evie, Make It Easy On Yourself, and the
medley Soul and Inspiration/For Once in My Life got to the Top 40;
and If We Only Have Love and Arianne made the national charts
as well, according to Mr. Fuller's website. Thom Bell is one of the founders of the phenomenon called Philly
Soul. He's even produced an album for Elton John called, oddly enough, "The
Complete Thom Bell Sessions", which I thought was the strangest Elton John
album ever, and at the time I had all of them. Don't know if he's still actively
producing, though. Johnny Bristol produced one of Boz Scaggs' first albums, and he
was a fantastic "Philly Soul" performing artist in his own right. I remember
him being on my then-favorite show, "Soul Train". His records featured him
singing with himself, a process called overdubbing, in my opinion a neat
technique they don't do much of anymore. The Carpenters were masters at this,
as well. Jack Gold produced records for Barbara Streisand, too. I understand
that the end of his life, Mr. Gold suffered horribly from Parkinson's disease.
Loyal Mathis continued to use him as a producer until his death. Produced and conducted a lot of the Mathis albums from the late
70's/early '80s, and was responsible for the music on the Mathis/Williams
#1 hit, Too Much, Too Little, Too Late. Gene Page died at age 58 on
Aug. 24, 1998. Produced and conducted a lot of the Mathis albums from the early
to mid '80s. Denny Diante knew his way around a recording studio; he was
a drummer and singer for some obscure surf bands in the 60's, then got in
to music arranging. He was also Vice President of A&R for Columbia Records.
(I'm not sure what A&R means.) He left CBS for a similar position at
MCA in 1989, then started his own label, called OutWest, in 1996. Prolific songwriter, musician, and producer; started out with the
group Skylark in the 70's. I remember this guy. He and his brothers had a band called the
Ramones. Phil went on to produce. Probably better money. This man is also
sought out for his technical knowledge, so apparently he's got quite a head
on his shoulders. A friend of David Foster's, and a recording engineer who's done
some producing, worked with Foster on the St. Elmo's Fire soundtrack. He's
won a Grammy award for his engineering work, but I don't know what for yet.
He's done a wonderful job on this album. Now Senior VP of A&R at Angel Records, Jay Landers produced
Barbara Streisand's Higher Ground, but he's also done albums for James Taylor,
Frank Sinatra, Art Garfunkel, Roberta Flack, Melissa Manchester, Julio Iglesias,
just a whole slew of folk. It was Jay Landers who suggested to Mathis the
wonderful selections on this first album of the year 2000. But I don't know
who the bonehead was who suggested the album be so short! Barry Rudolph
is another recording engineer who worked on Johnny Mathis' early '70's albums,
notably Me & Mrs. Jones. He's a nice guy, too, for answering my
e-mail.
Read his story about his days from working with Mathis.
Another helpful acquaintance, Brad Bigelow, has compiled an exhaustive
and impressive reference guide of arrangers and producers of this style of
music. Pay
him a visit.
And tell him I sent you. I'd be truly remiss if I didn't mention the phenomenal D'Arneill
Pershing. According to his widow, Mr. Pershing died of a heart attack at the age of 37 back in 1981. Sadly, there is next to nothing available, on the 'net at least, that would educate the public
about this great talent. Such wonderful arrangements he did for Johnny Mathis
in the early 70's! He seems to have had a varied career, even doing an album
of soap opera music called "Great Love Themes from Daytime Television" Nova
LPS-00001, a British release. These are some other interesting musicians who have worked with
Mathis who have pages of their own. Read about them:
Abraham Laboriel
I understand this is a top-notch bass guitarist in the genres of jazz and
Christian music! Joanna Jordan
--harpist Gary Mule Deer
--comedian (ok, so he's not a real musician!) D.
Cooper Getschal
--"writer, producer, artist" Merl Saunders
--pianist Dobie
Gray
--singer. Mr Gray didn't work with Mr. Mathis per se...but he wrote the concert
favorite "Welcome Home" with another songwriter Bud Reneau...this song appears
on the Mathis CD All about Love.
Mark Portmann
keyboard man. You'll notice the name of the album had changed.
Merry Christmas
Rapture, Johnny
Live It Up
Faithfully, Johnny's Mood
Johnny Mathis: A new sound in popular song.
This was Mathis' first album.
Open Fire, Two Guitars was the first studio
album to do away with the orchestral backing. It featured
Al Caiola
and Tommy Mottola.
Killing Me Softly Wth Her Song, Me and Mrs. Jones,
The First Time Ever, Song Sung Blue
I'm Coming Home, Mathis Is
The Heart of a Woman
Close To You, The Best Days Of My Life, That's
What Friends Are For, Friends in Love
Hold Me, Thrill Me Kiss Me; The Best Days Of My
Life, That's What Friends Are For, Mathis Magic
Special Part of Me, Right From The Heart
Archival producer. He writes good, informative liner
notes. In fact, liner notes seem to be his specialty! He's also produced
a lot of CBS/Sony's recent compilation recordings, especially the 16 Most
Requested Songs series by various artists. He also seems to be in charge
of the production of various re-issued recordings.
The Most Wonderful Time of the Year (single)
All About Love
Because You Loved Me
Mathis On Broadway
Roy Rogosin. Along with D'Arneill Pershing, Rogosin was the musical
director and one of the creative geniuses behind the most beautifully-done
live album you're ever going to hear, Johnny Mathis Live in Las Vegas.
And along with another collaborator, his wife (and former Mouseketeer) Eileen,
he's now the founder artistic director of the
Seacoast Repertory Theatre
in Portsmouth, New Hampshire.
God Bless You, Mr. Mathis.
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